Monday 11 June 2012

samples

I forgot to show you the float samples in the last blog
                 and here are the detailed notes so I can identify the samples when they come out of the kiln

This one was devitrified
but this one was better
 Another unsuccessful firing and all the kiln wash stuck to the back of the glass, I am trying to remove it with white vinegar but it is stuck fast.  I think that they were fired at too high or for too long

 I am beginning to hate kiln wash.  Here I am scraping it off my kiln shelf before applying fresh but I have decided to use Thinfire Paper in future, it can only be used once but all you have to do is cut it to size, of course it is a more expensive option!






I managed to make some jewellery and a few plates and dishes when I was doing the evening class at Helston but it was a pain having to carry all my supplies with me every time and as it was only a two hour class it seemed by the time I set up it was time to come home.  It was a beginners class and I was hungry to learn more.  Here are some of the things I made during that time. 
 these two look really good but I will let you into a secret - the pattern is already in the glass and all I had to do was cut it and put a layer of clear below and voila!  The patterned glass is called Decofloat and is compatible with float glass
 This one is made from clear float glass with cathedral glass, which is mainly used in stained glass work, the colours are not as good as Bullseye but it is much cheaper
 This is Bullseye, wonderful to work with, always comes out with nicely rounded edges and comes in an amazing range of colours - four times more expensive than float though
 Float again with Cathedral


There were a few things that didn`t come back from the firing as I wanted.

a very expensive Bullseye dish that got dropped and I tried to re-fire but it didn`t work

 If you look closely you can see the blue band of glass at the top should be on the edge more

 These were supposed to be cufflinks like the Cornish Flag!
 you may not see anything wrong with these but some I have cut the top glass too big and some have shifted in transporting to the kiln

 this would have been a fantastic plate in Spectrum 96 glass - Frank wasn`t sure what went wrong 


So it is not so easy firing the glass as I am finding out.  I have been making samples with float glass, which is just window glass and only come in clear.  It is very cheap to buy and you can also pick up some from skips to recycle.  I have been sandwiching all the coloured frits I bought between layers of glass.  Frits are ground and powdered glass and don`t always look the same once fired as they do in the jars, so I need to create a set of samples so that I will know and my students will know exactly what it will turn out like when they use these supplies.  It takes a long time as I have to keep careful records of what I have used so that I can label them.  Apart from different colours, they come in different sizes from 0 to 5.    But I am having a lot of problems with the firing of the float glass!  It is very frustrating as it isn`t designed to be fired like Bullseye or Spectrum which are tested before you buy but are about four times more expensive that float.  Therefore I have to keep a record of firing schedules and alter them and try again if I am not happy with the result and I am not a happy bunny!
For those of you who know I am getting devit.  For those that don`t it is devitrification which is a scummy looking result which is very common with float glass and can be eliminated by getting the firing schedule right with lots of experimentation and I am not the most patient person! It also can happen if you do not clean your glass properly before firing, which is not the reason with mine.
I need to get this right on my samples before I start making stuff to sell or mess up my students work.  Watch this space.